The Witcher TV Show Isn’t Complicated, It’s Not Great Either

iamhz, Monday, August 7, 2023
Highlights
1. The Witcher TV show has failed and is drawing criticism from fans, who are feeling let down by rushed storylines and wasted characters.
2. The makers of the show should not blame the fans for not understanding the show but should take the responsibility for failing to create something engaging and worth appreciating.
3. The non-linear structure of the first season made it difficult to understand and reduced the adaptation’s potential for mainstream audiences.

The Witcher has been overrated. I feel more comfortable saying this nowadays, knowing that no diehard sports fan will come out from the bushes and slit my throat in celebration of victory. Since the failed launch of Cyberpunk 2077 and the underwhelming rollout of the ongoing Redemption arc and Netflix adaptation, the fantasy property has come under severe critical re-examination.

The Witcher 2: Assassins of Kings and TW3: Wild Hunt are both great games, and I also have a soft spot in my heart for Thronebreaker’s card dealing excellence, but I’m not going to sit here and pretend that TV show is in any way Was less Middle. There was a lot of hype surrounding the first season when it premiered. Henry Cavill was a big enough name to team up with a mainstream property that could use the streaming service to get a clear look at Game of Thrones.

Related:

The Witcher Should Never Have Diluted Itself To American Audiences

With Liam Hemsworth playing Geralt, the abysmal spin-off show Blood Origins, and a third season that trashes plot points and ruins characters, even fans who have stuck to the property for decades , they are also starting to turn against it. What was supposed to be a bright new future in the world of streaming television has turned upside down. This could have been a lesson in humility for the creative forces behind this, but instead all they are doing is blaming fans for their lack of media literacy and love for TikTok. This chain of thought is absurd.

Not only should a show like The Witcher not be undermining its source material for international audiences, but it certainly feels like this excuse is only being put forth in the wake of damning reviews.

This strange discourse was nowhere to be seen when The Witcher was attracting millions of reviews and more positive reception, and only now are we honestly ready to give it a facelift, with producers claiming it’s out of the woodwork. Coming to the show that is good in fact, you don’t even understand it. Such an approach is outrageous and explains how my initial hesitation to watch The Witcher on Netflix was justified.

For some reason the events in the first season did not unfold in chronological order, which turns an already difficult to understand story into an impenetrable one. Fans told me it’s normal, and after watching it a couple of times it’s easy to understand who the big players are and where the overarching narrative is going. However, why did The Witcher take such an approach in the beginning? I understand that the original novels are overly complex, and Cavill was reportedly keen to be respectful of the source material, from down to precise dialogue or set dressing, but the purpose of an adaptation is to adapt something for the right audience.

The Witcher

You’re not politely inviting the audience along for the ride, but instead strapping them to a seat and yelling at them to sit up and pay attention. Even Game of Thrones with its endless list of characters and inspirations was able to do a better job because it focused on the right parts of the original novels in ways that would satisfy a mainstream audience. Yes, it crumbled by the end, but its performance was far richer than The Witcher. Perhaps I’m being too harsh and I should give the show a chance, but I’d rather trust hardcore fans throwing their toys out of the pram than a producer doing interviews designed to push her viewers under the bus. Is.

It doesn’t matter how full of lore or likable characters a show is, as long as you manage to present them in a compelling and digestible way. The layers of intrigue are slowly peeled away as soon as the key players are introduced, and enough time has passed for us to fall in love with the people we’re about to be devoted to. The Witcher managed to achieve this despite rejecting a linear structure, but that initial ambition has now only given way to misguided arrogance.

Don’t blame fans of select fields for not understanding your art, but blame yourself for failing to create something worthy of attention or appreciation in the first place. Who knows where the Netflix adaptation of The Witcher will go from here, but its obvious fans are already taking steps towards something bigger, better and more respectful of the things they want to see.

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